interior with a book :: essays research papers

The motion picture I chose to critique is inside with a Book. This painting was instantly appealing to me. The painting focuses on an asinine chair in a room next to a table. On top of the table thither is a cup closest to the chair. conterminous to that there is an open book, and on the right border of the painting there is an empty plate on the table. If you look out the window, you will design a big green flying field. The reason this painting was so appealing to was because this field looks like a golf course to me. I bottom of the inning see a sand trap on the left edge of the painting close to the house the picture is taken from. Also, there is what appears to be a winding path coming down the center of the field which could be a cart path leading to a green. The painting appears to be done in oils which would be a good resource for this painting. Painting with oils allows the painter to blend colors together and adds a stagger of depth to the picture. This is impe rative for many of the objects in this painting such as the field and the sky.Interior with a Book looks to be a delineative painting but one could argue that there are more or less segments that are nonobjective or abstract. A person bunghole see most of the images in the painting and they are forms in the rude(a) world, thus reservation it a incorporateational painting. However, there are deuce black spots that appear to be outside the window that I cannot make out exactly what they are, therefore maybe making this part nonobjective. On the other hand, with this picture looking so much like a golf course to me these two black spots could represent distorted golfers getting ready to chip in a ball, making this part abstract.One of the properties of this painting is that the field is made up of an similar harmony. The field is made up of green, yellow-green, and yellow. The effect of this is that the field appears to have disparate shades of green grass, such as a rough, a fairway, and a green. Another property of this painting is the asymmetrical balance. The painting is heavier to the left because the chair, being the central image in the painting, is to the left of it.