1080 words HSC English Advanced Module A: relative Study of Texts and Contexts Elective 2: In the wild. Talk-Back Radio bridge player Richard Glover: Good morning listener, welcome to this mornings program. I am excite to introduce to you this morning guest, Mr. Ridley Scott. He will, of course, be best cognise to most as the director of the debatable 1992 pick bulge out Blade Runner Welcome to our program Ridley. Ridley Scott: Thank you Richard. This is my first self-gratification to Sydney and I have certainly been enjoying this beautiful city. Richard Glover: Right, lets choose straight into our unresolved matter. Blade Runner is one and only(a) of those takes which not only reflect the concerns of its meter, but, fit to one critic, its message seems to be a future admonishment of censure and gloom. How would you respond to this? Ridley Scott: I dont believe that the film does figure as you say, doom and gloom, certainly my end was to introduce a futurist ic vision of earth as a dystopic society dominated by science and technology. My use of goods and go was to warn of the dangers in disregarding the natural order and its rhythms and of the unattainability of a utopia. Richard Glover: Would it be fair to say that your context at the cartridge clip has played a role in your interpretation of the on the spur of the moment letter depicted in the film?
Ridley Scott: Certainly. I say Blade Runner in 1982. This was a time characterized by rampant capitalist economy and over-population. Dont forget, this was besides the time of the Cold War, when Ronald Regans Star Wars program was truly frequently the flav! our of the time. There was rapid development in the sciences and a move towards genetic engineering. Besides these, I sapidity that my film reflects the worlds attitude to the collapse of traditional certainties, meanings... If you want to get a full essay, order it on our website:
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